This semester, we’re going to do more than read Victorian poetry; we’ll challenge how it’s been remembered, anthologized, and taught.
Together we’ll explore how some poems become “important,” why some voices get preserved while others fade, and what role we play as readers, researchers, and editors in shaping literary history.
Through close reading, collaborative annotation, and guided research, we’ll engage with both canonical writers and lesser-known poets whose work pushes us to reconsider what Victorian poetry is and can be. Along the way, we’ll grapple with themes like grief, labor, gender, nationalism, and protest, examining how form, context, audience, and critical framing shape meaning.
Students will contribute to a living digital edition of Victorian Poetry and Poetics through research-based annotations and a final project that asks us to consider not just what we read, but why and how our choices matter.
This dual-listed (sometimes also called “split-level” or “stacked”) course serves both upper-level undergraduate (ENGL 4392) and graduate (ENGL 5392) students. While all students will attend the same sessions and engage with shared readings and core objectives, there are distinct expectations for each level. Graduate students are required to conduct more advanced research, produce more written work, engage deeper with scholarly sources, and demonstrate higher-level analytical and methodological rigor, in keeping with SACSCOC standards 3.6.2 and 9.6.
In this course, we will investigate some of the most famous villains ever created—Grendel and his mother; Macbeth; Satan; Frankenstein’s Creature; Mr. Hyde; Dracula—focusing on the intersections between creation and destruction, inspiration and desolation, divinity and monstrosity.
A few key questions will shape our inquiries this term:
How do we decide that someone or something is a "monster"? What makes someone's actions "monstrous"?
How has divinity been conceptualized by different authors in the British tradition? To what can we attribute these concepts?
Why do monsters appear so frequently in literature? What do monsters represent for the culture that created them? What do monsters represent for us today?
Who created monsters: God or man? Are monsters figments of human imagination, a way we have of explaining to ourselves why terrible things happen, a way of understanding what is sometimes beyond understanding? Or are they a kind of punishment, our sins manifest?
Can monsters be controlled by gods? By God? By humans? Why or why not?
Are humans destined to battle monsters? Is it destiny or just coincidence when we encounter such beings?
Why do some literary monsters continue to haunt us, even centuries after their creation?
To answer these questions, we will read masterpieces from the multiple genres and subgenres: epic poetry, the novel, lyric verse, tragedy, drama, Gothic, science fiction, humor.